Antico nel Tempio di Nimes: Antonini 1781
- Title: Antico nel Tempio di Nimes
- Author: Carlo Antonini
- Date: 1781
- Medium: Hand-colored copperplate engraving
- Condition: Good - Age toning, discoloration, foxing
- Inches: 4 3/4 x 6 1/2 [Platemark]
- Centimeters: 12.07 x 16.51 [Platemark]
- Product ID: 100260
Ancient architectural rosette from the Temple of Nimes
These fine engravings depict decorative architectural elements from the buildings and monuments of Ancient Rome and surrounding towns. The floral carvings are shown full front and also in cross section. Because of bits of paint which, upon close inspection, were detected on the original structures, it was deduced that they had once been brightly colored, thus the hand-painting of these engraved representations.
- Title: Antico nel Tempio di Nimes
- Author: Carlo Antonini
- Date: 1781
- Medium: Hand-colored copperplate engraving
- Condition: Good - Age toning, discoloration, foxing
- Inches: 4 3/4 x 6 1/2 [Platemark]
- Centimeters: 12.07 x 16.51 [Platemark]
- Product ID: 100260
Ancient architectural rosette from the Temple of Nimes
These fine engravings depict decorative architectural elements from the buildings and monuments of Ancient Rome and surrounding towns. The floral carvings are shown full front and also in cross section. Because of bits of paint which, upon close inspection, were detected on the original structures, it was deduced that they had once been brightly colored, thus the hand-painting of these engraved representations.
Original: $275.00
-65%$275.00
$96.25Description
- Title: Antico nel Tempio di Nimes
- Author: Carlo Antonini
- Date: 1781
- Medium: Hand-colored copperplate engraving
- Condition: Good - Age toning, discoloration, foxing
- Inches: 4 3/4 x 6 1/2 [Platemark]
- Centimeters: 12.07 x 16.51 [Platemark]
- Product ID: 100260
Ancient architectural rosette from the Temple of Nimes
These fine engravings depict decorative architectural elements from the buildings and monuments of Ancient Rome and surrounding towns. The floral carvings are shown full front and also in cross section. Because of bits of paint which, upon close inspection, were detected on the original structures, it was deduced that they had once been brightly colored, thus the hand-painting of these engraved representations.
